Wednesday, May 11, 2022

The Waning Moon - Debut EP review and Ten Questions to Zac Campbell

The Kentucky Vampires and Ariel Maniki and the Black Halos have been two of the biggest names on the guitar-based goth revival scene over the past few years, so when The Waning Moon project was announced, a collaboration between the Louisville act’s alchemic guitarist Zac Campbell and the well-respected Costa Rican frontman, expectations in the goth community for the new act were (appropriately) sky high.




The duo’s eponymous EP was digitally released at the appropriate astrological time at the end of last month to universal acclaim, four tracks of driving 90’s-influenced gothic rock, with less of the hurried deathrock of TKV’s debut set, but with the addition of dancefloor-oriented synth motifs, to combine the drive of the old school goth rock of bands like The Mission with the savvy cool of Suspiria and Angels of Liberty.



Whilst there’s an unashamed nostalgia to the overall effect, the production and mastering, courtesy of Ariosto N Uribe of Colombian goth legends La Procesion de lo Infinito, is very much 2022, giving the project’s sound a contemporary feel despite the comforting familiarity of the musical ambiance.  The four songs sparkle with emotional energy, with Maniki’s intense baritone complementing Campbell’s renowned sharp yet mellow guitar tone, the result of his lovingly curated selection of authentic guitars, pedals and amps from the golden age of goth.



The Waning Moon’s self-titled debut EP was released at the end of April and is available for download from their Bandcamp page. Excited by the new release, I contacted Zac to find out more about their unique collaboration. My thanks to him for the interview which follows.

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1. I suppose the most obvious question is how did you two get together when you already have your own main projects and live in different countries?

Zac – I have been a fan of Ariel’s music for some time and gradually over time I think we both became friends over nerding out on music gear and bands, etc. I approached him mostly out of being a fan of his work with Ariel Maniki and the Black Halos and Draconian Incubus to ask him if he would consider doing vocals on this project, and was extremely happy and excited when he agreed to work with me on it.

 

2. What are you trying to achieve with The Waning Moon that’s different from your other projects?

Zac – Well with The Waning Moon, I really wanted it to be unapologetically in your face pure goth rock! With the Kentucky Vampires, we have been maturing with writing music to sort of developing our own somewhat unique sound that is a bit of a more modern take on gothic rock. Having this project lets me work on music that is just pure nostalgic gothic rock! Drum machines, keyboards, synths, guitars, bass, etc. Still trying to keep our own sound, sort of our own identity if you will, on top of the obvious influences from 90s goth rock.

 

3. What was it about the name The Waning Moon that appealed to you?

 Zac - I have a background of being involved with Wicca at various stages of my life. When thinking of a band name for this project we had landed on some but later discovered they were taken and during a final brainstorming I was thinking about names that sort of invoke what I was feeling with the material from the band, as well as capturing some essence from Wicca, or the occult, etc. This name also helped us easily devise a logo for the band as well as a theme. We have decided to release material on days coinciding with the waning crescent moon in the lunar cycle. Our EP that we just released was dropped on the first day of the waning crescent moon of April.




4. What was the songwriting and recording process for this EP?

Zac – So far, the process with exclusion of one, thus far unreleased song has been where I write and construct the instruments in the song. Once I am happy with the track, I then pass it on to Ariel who then works on lyrics and vocals for the songs. If changes are needed such as extending or shortening certain sections of possibly note changes, I will then go back and make these corrections to the songs and send back to Ariel for the vocals. On one track however Ariel wrote and recorded some acoustic guitars, and keys/synths and drums, where I then added bass guitar and electric guitar parts to it. I am extremely happy how that track turned out and can’t wait to see it released!

 

5. You’re just back from a visit to Costa Rica. What were your impressions of the country and of the scene there?

Zac – Well as far as the country is concerned it’s incredibly beautiful! I have always been a bit of an animal and nature lover and Costa Rica most definitely has an abundance of both! When it comes to the scene, I think Ariel is much more capable to answer this question than I am. We didn’t really see much of the scene as I understand during our visit there weren’t any events happening. We were busy partying though and working on The Waning Moon things as well as relaxing and exploring the country to really have time to do much else!

 

6. Ariosto N Uribe (of La Procesion de lo Infinito) adds to the “goth supergroup” vibe by handling production and mastering. Why did you choose to work with him?

Zac – Ariosto is a dear friend of both Ariel and I and always is a pleasure to work with on any project. Considering the work he had done before, Ariel and I both agreed that we believed he would do a great job with this material. When it comes to mixing and mastering music, I have written I am not a fan of doing it myself after spending long periods of time working on the songs. I think I become too familiar with them and won’t make decisions out of some unconscious bias and have always considered that to be a job for someone outside of the situation, so to speak.

 

7. Will this EP be a one-off release or will there be further releases from The Waning Moon?

Zac –There will be further releases from the Waning Moon for sure! We already nearly have a full-length album complete, and we were spending some of that time while my wife and I were visiting Ariel and his family in Costa Rica filming video. We also have plans to meet later in the year to create more videos as well. And are also discussing doing some serious touring in the future.

 

8. So far the EP is only available digitally. Will there be a CD or vinyl release?

Zac – There is a plan to move forward on a physical CD for the EP, and possibly a vinyl release later on. With the full-length album, we want to move forward with physical CD and vinyl for it. So possibly if there is a way in the future to see the EP make it onto vinyl, I think we both would love to see that.
 

 

  

9. As well as this side project, you’ve guested on other bands’ releases such as Amaranth and Deliverance MX, Zac. Are there any other artists whom you’d particularly like to collaborate with?

Zac – Oh, I am always open to collaborating on tracks with artists! I really enjoy doing it, and I like to get to work with artists I admire or am friends with. There are a few collaborations coming up that I have done. I did a “remix”/cover for Davey Bones on his upcoming release that I am really proud of! And I am working with Male Tears providing guitar on a track right now.

10. It’s been a couple of years since the last Kentucky Vampires album. Is there any news of a follow-up?

Zac – Yes actually! We hope to release a new EP with 5 brand new songs very soon! It is in the final stages of writing and we’re hoping to get that wrapped up and off for mixing and mastering very soon!

 

Monday, May 2, 2022

The Best Goth/Post-Punk Releases of April 2022

 With the live scene continuing to flourish once more after two years of effective hibernation, there have been noticeably fewer cancellations and bigger crowds returning to venues, and it is pleasing to report that there has seemingly been a simultaneous fruition of talent on the release front, with a veritable cornucopia of goth/post-punk delicacies to choose from. This month’s rundown begins with some top quality new releases from some of the leaders of the current wave, but there is also the usual healthy smattering of new faces, returning long-lost friends and a few outstanding new collaborations to enjoy in addition. For fans of older projects from the original wave, April saw new tribute albums to both Bauhaus and Tones on Tail/Love and Rockets, and further new live unreleased songs premiered by The Sisters of Mercy, but none of these feature in this month's selection.

1.       The Waning Moon – Talisman 

The long-awaited debut EP from the new side-project of Kentucky Vampires’ guitarist Zac Campbell and Ariel Maniki (frontman of the Cost Rican act Ariel Miniki and the Black Halos), The Waning Moon, finally arrived this month and didn’t disappoint with four tracks of well-crafted old school 1990’s trad goth rock, in the style of Nosferatu/Rosetta Stone and co. Opener Talisman begins with a lively synth theme that would not be out of place on a dancefloor-oriented Suspiria or Angels of Liberty track, although the classic guitar riffs and dramatic “kingdom come” vocals hint more at mid-period The Mission.  Look out for an exclusive interview on this blog this coming week!




2.       Mark E Moon – Blacklight

Lux Vindictae is the fantastic new gothic darkwave EP from Isle of Man band Mark E Moon, with lead track Blacklight highlighting singer Mark Sayle’s strong baritone croon and Phil Reynolds’ intricate arrangement: the twangy bass, shimmering guitar tone and synth swirls create a beautiful sonic tapestry which hints at the band’s range, which is fully explored over the six track mini-album, with the promise of a further new album later in 2022.




3.       Black Angel – Intoxicated

Matt Vowles’ Black Angel project can seemingly do no wrong, dropping this month their fourth excellent album The Black Rose, which is stuffed to the gills with great tunes, superb arrangements and performances and the usual masterful production. Intoxicated is built around a strongly The Cult influenced riff and relies as usual on a great vocal performance by Corey Landis in both his lower and upper registers. Nothing staggeringly innovative, just 100% premier cru trad goth rock from this project which sets the standards for earworm melodies and professional production values in everything they undertake.



4.       Blood Dance - Burn Slow

There’s a strong Floodland influence on the new single from Mexico City’s Blood Dance, which features guest artist Bari-Bari of Mephisto Walz/Christian Death fame. A classic goth bassline, pleasingly familiar guitar and keyboard infills and a strong melody make this one of the month’s more catchy releases (although changing the title to the key lyric Death Comes Singing You A Lullaby might have helped).




5.       Malefixio – La Sombra

Goth overload alert! Fabulous new video single from Barcelona’s Malefixio, with the promise of an album to follow. Wonderfully scuzzy sheets of chopped ASF batcave guitar from Jordi, Mauricio’s buzzing eight-to-the-bar bass over a hypnotic drum machine dancefloor beat, and Eva LadyStardust’s Xmal-esque echoing  vocal gothic punk combine for turkey-trotting future club classic whose seemingly irony-free procession of deathrock tropes on the accompanying video hints at a project steeped in the genre’s history.



6.       Lifeless Past – Miles Away

The Dutch gothic post-punk act Lifeless Past's new single Miles Away starts with a wonderful high-tempo goth rock opening with a strong guitar tone (definitely Intro of the Month!) before twisting into Diavol Strain influenced contortions for the verse section, lending their timeless sound a contemporary feel.



7.       Temple Solar – Bitter Love

From Chile comes occult goth rock act Temple Solar, whose City EP features six strong tracks of original trad goth, such as Bitter Love, a biker goth epic which rumbles along at a decent pace much in the style of The Hunters Club but with greater subtlety. The band will be opening for the legendary Euroshima at their Santiago show in May.



8.       Who saw her die? - For The Kill

Louisville duo Who saw her die? show no sign of slowing up their phenomenal workrate with yet another new release. Featuring their unique echoing lugubrious multi-tracked vocal over a buzzing eight to the bar bass but this time with shimmering guitars and synths, For The Kill retains an Eldritchian sensibility whilst seeing the band exploring a broader musical palette. 



9.       Echoes of Silence - Around

One of the strongest and most consistent albums this month is Too Late, the 5th full-length set from Rome’s Echoes of Silence, released on the ever-reliable Icy Cold label. Featured track and album opener Around kicks off an eclectic album in style, featuring some positive-punk tribal drumming and a sneering vocal in the style of The Three Johns or PiL, combining simple heavy metal riffage with punk energy.

Link to Bandcamp



10.   A Place To Bury Strangers – Dragged In A Hole

APTBS have been one of the most critically-acclaimed names on the US alternative for the best part of two decades and the intensity and authenticity of their distorted shoegaze post-punk noise rock has not changed one iota in the meantime, influencing many bands on the current wave scene in the process. The FX-drenched psychedelic garage punk of Dragged In A Hole, the latest video of many to accompany new album See Through You sees APTBS at their most uncompromisingly nihilistic on an all-enveloping JAMC-esque scuzzfest.



11.   Murderbait – Lost

The new album Nostalgia for Cancer from Portland-based Murderbait is a treat for fans of dark psych, although their unique sound also includes elements of shoegaze, krautrock and goth prog over tracks that meander pleasantly for seven or eight minutes with a loose “live in the studio” vibe. Singer Casey Logan’s hauntingly emotive vocals have a melancholic Jim Morrison feel at times on an accomplished release which is worthy of detailed exploration.



12.   Tombs - Ex-Oblivion

Brooklyn band Tombs describe their sound as “atmospheric black metal”, but there’s an undeniably gothic doom crossover aspect to their new single, the HP Lovercraft-inspired Ex-Oblivion, a punishing assault on the senses that harks back to Neurosis’ darker, more introspective material around the turn of the 1990’s. Not for the faint-hearted!



13.   Chemical Waves featuring Ductape – Kara Buyu

Operating in similar territory to Kill Shelter, Marco Cattani’s synth-based project returns with another album of superb wave soundscapes enhanced by some of the scene’s leading lights, including 2021 breakthrough artists like Mirror of Haze and Ductape, as well as both more established (Night Nail) and more obscure artists. The Ductape collaboration is the standout, with Cagla’s dark contralto vocal to the fore in a moody piece featuring heavily reverbed guitar lines and a stark electro beat.




14.   Astari Nite – Ashtray Ballet

Astari Nite specialise in building epic dark dancefloor floorfillers in the style of 90's legends London After Midnight, and Ashtray Ballet is a perfect example of the genre. The Florida act combine the knowing gothic soundscapes of Clan of Xymox with an emotional vocal which evokes the camp melancholy of 80’s groups like Soft Cell and The Pet Shop Boys.




15.   Death Loves Veronica (ft Tim Skold) – When I Was Dead

Veronica Campbell’s latest opus features her strong, breathy vocal (not unlike Garbage’s Shirley Manson) very prominently on most tracks including an extended version of this recent single, which has the expected sparse electro-industrial Numanesque vibe before Tim Skold plugs in to take the track in an inevitably heavier direction, with his power-chords and string-bending off-kilter deathrock riffs enhancing a wonderfully swaggering Marilyn Mansonesque chorus. 

Bandcamp link


16.   Night Sins – Kill Like I Do

Kyle Kimball of Nothing’s solo project is back with the tongue-in-cheek post-punk cool of opening single Kill Like I Do, a great combination of gothic tropes (including the comically funereal vocal on the chorus), the grungy riffs, and low-fi production.



17.   Closed Mouth – We Should Know

The prolific Yann Rault returns with a new album of claustrophobic but beautifully constructed dark coldwave. Using Faith and Pornography era Cure as a starting point, Rault builds lush but dark dystopian atmospheric soundscapes with his trademark distant echoing vocals on tracks that also this time have a more epic prog rock influence.

Bandcamp link


18.   Curses - Miriam

The 1980’s first wave of goth/post-punk was littered with songs with a one-word girl’s name title (Alice/Severina/Isobel/Marian/etc) and Berlin-based band Curses continue the tradition with Miriam, with a familiar epic chorus which adds some synth glitter to a more traditional goth/post-punk sound, a track from their new album Incardine.



19.    Dead Objectives – Wolves Among The Flock

Hailing from the North-West of England, Dead Objectives' gothic punk sound combines an angry political vocal with trad goth instrumentation and should appeal to fans of the likes of New Model Army and The Levellers. There was a strong political anti-establishment element to a lot of the early artists now labelled as goth (before the bats and vampires theme took over), and Dead Objectives hark back to those anarcho-goth beginnings with style.



20.   Sun’s Signature – Golden Air

The very welcome return of Cocteau Twins’ chanteuse Liz Fraser, whose golden-tonsilled genius sprinkles ethereal fairydust as she leaps effortlessly between the octaves in her inimitable style on this experimentally frothy track which opens out into an unexpectedly full and spangly prog chorus complete with freeform jazz guitar noodlings. Wonderfully uplifting, but in truth few vestiges of her gothic past remain. Wax and Wane it ain't!