The identity of this year’s Goth/Post-Punk Revival Blog Top
5 of 2020 will come as little surprise to regular readers, as all five projects
have consistently hit the heights with each release and gradually grown their
fanbases as a result. All five have released outstanding tracks this year which
will surely stand the test of time, and lead the genre ever forward as both
new, younger fans and elder goths returning to the scene continue to be
attracted to the worldwide gothic renaissance. 2020 has been a uniquely
challenging year, but the music of these five artists in particular has seen
many of us through the darker days, with hopefully a return to some kind of normality now on the horizon.
5 Stranger and Lovers – Spiritual f. Succubus.
Mexico City (CDMX) band Stranger and Lovers have
continued to plot their careful route to the top by releasing their 2019 debut
on more platforms and signing a distribution deal with Young and Cold to
release their forthcoming 2021 album to a wider public. This year saw the band
release just three tracks, but all showed the band’s unique appeal: creating a
new darkwave strand played on vintage instruments but embracing all that
digital studio technology has to offer, with the vocals (apparently in English)
used as an extra instrument in the way that the first-generation bands like The
Sisters of Mercy and Fields of The Nephilim did. Fans of The Sisters and The
Nephs will particularly appreciate the chugging rock of most recent teaser
track Necro Love, whilst Spiritual f. Succubus had a more
nightmarish fairground swirl that added an extra claustrophobic layer to their
already thrilling sound, with first single The Snoop having a softer,
more dancefloor friendly focus which will appeal more to fans of Xymox or She
Past Away.
4 Black Angel – Kiss of Death
Matt Vowles’ Black Angel project goes from strength
to strength: having released debut album The Widow at the end of 2019,
Vowles returned with follow-up Kiss of Death barely six months later, an
equally strong set of musical earworms that effortlessly recreate the most
popular elements of 80’s goth. Haunting guitar lines, classic chord
progressions, multi-layered vocals and fantastic state-of-the-art production
combine to create an album which, like
its title track, brings to mind Steinman-era Sisters tinged with the gothbilly
sounds of Shadow of Love-era Damned. Vowles always baulks at any
comparison to Billy Idol, but the strong focus on melody and the superb production
makes this a worthy compliment rather than a detraction for what is arguably
the most potentially commercially viable of all the projects featured in this
Top 50, and a great gateway act for new fans of the scene. A barely-discernible
change of vocalist – Robert Steffen’s more operatic approach replaced with the
more authentically alternative tones of Corey Landis – has left the band
stronger as a unit and although the pandemic put paid to plans for more live
work, Black Angel will deservedly be a name on most promoters’ wishlists for
2021 after two stunning albums of perfect modern gothic rock.
3 Sonsombre – Highgate
Brandon Pybus must be one of the hardest working guys on the
goth scene, whether maintaining a strong social media presence to boost the Sonsombre
fanbase, writing and recording new material, or collaborating with other
artists from around the world. Sonsombre’s latest album One Thousand Graves
was their best yet, moving ever away from their sources (Fields of The
Nephilim, The Wake, Nosferatu etc) to showcase their own distinctive sound. Now
clearly more a band than a one-man project, Sonsombre’s lockdown live stream
sets were always high quality and featured tracks from their three album career
but focusing on the darker, heavier and more innovative material which subtly
drew more on Pybus’ own death metal past. Highgate was an excellent case
in point, starting with a spooky church organ and music box intro, with jagged,
discordant guitar riffs taking over before exploding into minor key malevolence
with more classic gothic rock overtones. Song dynamics and structure remain a
key strength, with anthemic choruses and dramatic atmosphere essential elements
of any Sonsombre song. With a new album Revival ready for release in
2021, Sonsombre look set to make the Goth/Post-Punk Revival Blog top 10 for a
fourth successive year!
2 The Kentucky Vampires – Moon Rays
2020 album Crimson Curse moved The Kentucky
Vampires from the ranks of deathrock prospects to major league gothic
contenders, showcasing an expanded sonic range and depth which resulted in an album
to return to again and again. A couple of the tracks featured on their EP
released at the end of 2019 (and made our Top 10 last year), but the new tracks
were a judicious mix of the up-tempo melodic graveyard deathrock of the first
album (eg Saint Vincent) and a slower, more resonant and lyrical sound with a fuller gothic sound.
The addition of Motuvius Rex’s bass had fleshed out what was a slightly trebly
mix, and its rich sonorous tone, reminiscent of vintage The Cure, enhances
the lullabylike Moon Rays, with Zac Campbell’s shimmering guitar lines
and Abbas Marler’s wonderfully lilting vocal creating a perfect gothic fusion
which was typical of the album’s best tracks.
1 Then Comes Silence – Devil
Swedish captains of post-punk Then Comes Silence blew away all other contenders with a stunning 2020, releasing a superbly accomplished and polished album in Machine, releasing a couple of online quarantine covers and putting on a string of beautifully shot live performances. Machine ran the gamut of post-punk musical styles but always with Alex’s honeyed baritone, Jonas’ syncopated drumming and the twin guitar duelling of the highly experienced newcomers Hugo and Mattias to the fore, as on this featured track, Devil. Pretty much every track on the album could be released as a single, always the sign of a classic album, from singalong darkwave songs like Apocalypse Flare to the epic soundscapes of Kill It. Then Comes Silence certainly killed it in 2020, and are the Goth/Post-Punk Revival Blog band of the year.
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